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Jane Austen
(1775-l817)
Jane Austen's life appears quiet
and uneventful. She was born at the Hampshire and she had a home education. She
was passionately fond of amateur dramatics, so she began writing prose, verse
and drama at an early age. In 1801 her father retired and settled in
Northanger Abbey (1798), a parody of the Gothic novel; Emma (published in 1816); Sense and Sensibility (1811) and Pride and Prejudice (1813), two novels of manners: the same genre continue till now with sit-coms.
All of Jane Austen's novels centre on experience of a young woman, the heroine, who through a series of errors and delusions develops in her understandings of herself and of the other people, and all the books end with her happy marriage. We have a definite point of view: the heroine coincides with Jane Austen.
Jane Austen's characters are very precisely described: her/his place in society, age, incomes and its source (land or investments, trade or inheritance), ancestry, marital situation and prospects (single, married, widowed) and social position. They are round characters and show the author's fine psychological insight.
Jane Austen was deeply interested in the moral standards and rules of social conducts of her day. She condemn pitilessly anyone who is less anyone who is less than honest, responsible and kind. Her standards seem relatively easy to achieve, and yet almost all of her characters fail. Marriage is the best chance for a woman to get independence and status.
Dialogue is clear, witty, precise; it renders common place things and characters interesting. It does not illustrate a moral, but rather brings it into existence for the author to comment on. She uses an omniscient third-person narrator (taken from Fielding); her irony is always gentle, expressed in nicely balanced and acute observations.
Jane
Austen is more typically an eighteen-century novelist: her insistence on
morality, her interest in society and its values, and the didactic strain in
her art, are all qualities very different from the qualities
of most Romantic art. Chronologically she belongs to Romanticism but she is
Augustan in spirit, education, moral values and inspiration: her model is
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